'House of the Dragon' and Calm team up for King's Landing propaganda

A chill day in the capital of the Seven Kingdoms? Suspicious.
 By 
Shannon Connellan
 on 
A still from "House of the Dragon" showing Aemond on the throne with Alicent attending.
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Mindfulness and meditation app Calm has teamed up with the opposite of tranquil, House of the Dragon, for a Season 3-promoting soundscape that sends you into King's Landing. And honestly, it sounds like a pretty chill day for the capital. Suspiciously so.

There are no Game of Thrones-worthy explosions coming from the Great Sept of Baelor, no Battle of the Blackwater hubbub, and no Targaryen queen burning the city to the ground. Even from a House of the Dragon perspective, there's no sound of starving peasants squabbling over scraps, no Aegon II-ordered ratcatcher executions, and no Daemon-ordered violence by Kingsguard on the smallfolk.

Instead, you can hear idle chatter of happy townspeople, sprinkled with tinkering sounds from a local blacksmith, a few Faith of the Seven church bells clanging away. If I were a fiction conspiracy theorist, I'd call this "everything's fine" propaganda straight from the Red Keep. Pay no attention to that blockade, folks! La la la! However, the closer we get to the castle the creepier the sounds get, and by the time we reach the dragon cellars it all gets rather echo-filled and ominous.

With such a pivot, there could be an unexpected use for Calm's soundscape.

"im definitely using this for my dnd campaign as background noise," one commenter on YouTube said. Not a bad idea.

For all things House of the Dragon, Mashable has you covered.

And if you want more of the latest entertainment news, reviews, and interviews, sign up for Mashable's Top Stories newsletter.

A photo portrait of a journalist with blonde hair and a band t-shirt.
Shannon Connellan
Senior Editor

Shannon Connellan is Mashable's Senior Editor, General Assignments, based in London. She has been Mashable's UK Editor (and still manages the illustrious UK team) and Australia Editor, but emotionally, she lives searching for Exit 8. A Tomatometer-approved critic, Shannon writes about entertainment, tech, social good, science, culture, and Australian horror, and loves to nerd out with movie stars, filmmakers, and TV creators.


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